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Here are the notes from the whiteboard from today’s lesson. Please use them in your planning and preparation for your assessment on the 24th August:

Section One: Short Answer Response Notes

Comprehension section: Suggested 60 minutes allocated for three questions = 20 minutes per question and 200-300 words per question.

Respond in one paragraph in the following format:

INTRODUCTION – 2-3 sentences introducing argument. Restate the question being asked and summarise main point.
P – POINT (Your main idea)
E – EVIDENCE/ EXAMPLE (Direct quotes or indirect quotes [paraphrasing]).
A – ANALYSIS (Elaborate on what you have written to support your answer).
CONCLUSION – 2-3 sentences concluding your answer.

Step One: Deconstruct the Question

Analyse how the man and boy’s relationship with the world is represented in this extract.

Step Two: Plan

Step Three: Write

INTRO: In Cormac McCarthy’s novel, The Road, conflict between the man and the boy occurs in moments where their contrasting perspectives of the world around them becomes clear. The man has memories of the old world, unrecognisable to the boy, whereas the boy is a creature born into this world of chaos.

POINT: Despite the narrative constructing an ever-present familial bond between the man and the boy, they are challenged as they encounter a multitude of moral dilemmas in the apocalyptic landscape in which they seek to survive.

EVIDENCE: An example of this complex relationship is:

1. In the interactions between the man and the boy after the man shot the person from the convoy in the woods. The boy asks, “Are we still the good guys?” (p.80).

2. “A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin” (p.81).

ANALYSIS:

1. This demonstrates the way that the man often blurs the lines between being a “good guy” and a “bad guy,” because of his dedication to his son. The boy questions their morality, because of the murder, but the man feels justified, as his priority is the safety of the boy.

CONCLUSION:

1. The man and the boy perceive the world differently, because of their relationship with it. The boy sees a clear divide in this world between good and evil, and he judges the actions of the man according to this. The man sees this division in the world, but excludes himself from blame, because of his “good” intentions. The characters’ relationship with the world is shaped by their experiences in it and the man has experienced more hopelessness and loss than the boy can yet imagine.

We will, of course, go through this in class and give you class time in which to prepare for this assessment.

Task sheets are below.

2018 Year 12 ATAR TED PODCAST[2]-zx9low

Podcast Notes-2ep9681

Below are two pages of guided reading on The Road. Please use these to formulate your own ideas on the text.

The Road: Comprehension Questions

1. How is The Road allegorical, more specifically an example of a religious allegory?
   Refer to the following themes: spirituality, morality and familial love. Include appropriate examples from the text to support your answer.

Allegory: A narrative with two levels of meaning: The surface (characters, setting, plot, etc.) and the symbolic (deeper ideas embedded within).

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2. Do you think the dystopian, apocalyptic context of the novel provides commentary on the contemporary context in which we read it? Why or why not? What is it commenting or warning us of?

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3. What predictions would you make about our future? Is Cormac McCarthy showing us a world that is a projection of our own? What ever-present threats exist in our own context?

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Use the image below as a STARTING POINT for your exploration of The Road by Cormac McCarthy. It is of central importance that you are able to apply the conventions of the genre to a reading of this text.

To what extent is The Road a dystopian and apocalyptic text? How does this text meet this criteria?

Please look carefully at the opening to a narrative response below and please note the annotations:

The main teaching and learning points are listed below:

• The opening sentence orientates the reader to a possible/potential location for the narrative and gives us the temporal context for the narrative- it’s early morning and daylight is breaking.
• The young man is ‘crumpled’ much like the newspapers he’s covered with. The newspapers are symbolic of being discarded, they are worthless and forgotten about… much like him.
• the setting also works on a symbolic level as it’s clearly an abandoned building. The young man is also constructed as abandoned.
• The cold which ‘knifed’ him is used metaphorically here. It’s an intertextual reference to a Wilfred Owen poem ‘Exposure’ but it’s used her to show how punishing the winds are. They are cutting and cold.
• The ‘furtive’ attempt at finding shelter is meant to show how secretive his quest to find shelter is. The word renders him invisible.
• ‘Any shelter’. I shorted the syntax here to echo his desperation.
• The question ‘Why?’ is deliberately left open-ended to get the reader to ask what the question might be… and what the possible answer might be to it.
• ‘Cocoon’ is used ironically here. Cocoons are meant to a place of comfort but his cocoon is anything but.
• The verb ‘staggered’ gets the reader asking questions about why the young man is staggering.

In short, the paragraph above is designed to get the reader asking questions, it’s meant to engage them and immerse them in the narrative. The next part of the narrative would need to pick up the pace…

Please note the dot points below which represent feedback on one of the student presentations. You will need to use this feedback to modify your own presentations to ensure they are as effective as possible.

9. PRACTICE RESPONSE

• Comparing the voices in Murdeball and one other text on disability.
• Starts clearly enough. Could speak a little slower.
• PPT slides could stay visible slightly longer and would need more explanation.
• Pace is a little too quick for me.
• Images look OK and are well selected. Well-chosen quotations from the text also.
• Effective knowledge of the text.
• Moved on to masculinity- ‘Macho man thing’. Quite a brief clip but well chosen.
• Could’ve spent a little longer constructing the masculine stereotype.
• Second clip was more effective- slightly longer which gives a little more context.
• Insight into the clip but could’ve been more precise in analysis, the word ‘chick’ for example objectifies women. Be braver in terms of exploring how gender is constructed here.
• Moved onto the ‘Diving Bell and the Butterfly’.
• Make sure you mention that this text is a memoir.
• Remember to leave slides long enough on the screen for people to absorb content.
• Effective quotation from the text.
• Try and analyse the language choices a little more. This would offer more insight into text construction.
• Texts are linked well and effectively.
• Presentation from both students of a high quality.
• Well organised.
• Well planned.
• Could be more concise in places. Began to ramble a little towards the end. Think you lost a little bit of focus on the text’s construction.
• Liked how the links were exemplified at the end, though that slide had perhaps too much information.
• Knew texts well and offered insight.
• Both spoke clearly.
• Structured clearly.
• Memoir not book!

• Slow down a little more and keep some of the slides on the screen for a little longer.
• Pace of delivery could be slower at times.
• Text construction could be privileged a little more. Could offer more insight into language choices (dialogue and text) in places.

ATAR English Task 5-1pgzm0d

Please note the task sheet is also available for download from SEQTA.

I’m looking for the following things from your presentation:

• It should last between 5-7 minutes. It should be no shorter than 4 mins 30 seconds and no longer than 8 minutes.
• The presentation should be multi-modal- It should include images, text, and moving image media.
• It should contain NEW information and not simply rehash the content covered in class. I want to learn something NEW about your chosen text.
• Sustained and detailed analysis of text construction.
• Knowledge of genre.
• Specific generic conventions.
• Structured clearly.
• Well-organised.
• Speak clearly. DON’T read from the screen or prepared notes.
• Evidence of planning.

Sample Questions_for students[1]-1mjl1ir

Above are a number of questions which might be used as practice questions in advance of your assessment on ‘High Noon’ and ‘The Dressmaker’ this week.

Please note that the assessment is 60 minutes in duration and the questions are unseen. No notes will be permitted in the assessment and you are reminded to leave your mobile ‘phone in your locker as per our school assessment policy.